μῆνις@ patrooclus

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she/her • 18+

Troy1250 BCE
  • rainforestdyke

    I think my favourite line in season 2 is crowley's "he's far too pure of heart to be anybody's bit on the side" because any time we get to hear the way crowley talks about aziraphale to other people is a joy, but also it's just so genuine and full of so much love. he's not speaking about aziraphale with any agenda, he's just speaking off the cuff. it's ridiculously sweet. it's also hilarious because it's crowley's immediate reaction to nina suggesting that they're casually sleeping together and crowley's like, um no, we're not, but fyi if we were I would be treating him right!

  • hackshbo

    See, you start reading The Locked Tomb because everyone is like wow, lesbian necromancers in space, fun but watch out it's a little sad! And then Tasmyn Muir says my entire magic system is based on the fact that you cannot know someone without being changed by their existence. You cannot lose someone, grieve for someone without them becoming a part of you forever. Grief is transformative because love is transformative. It's also a consumption, because love is a consumption - souls merge when they spend enough time near each other. You will never be the person you were before you met them.

  • thoodleoo

    dude you should have been at the club last night it was insane. the dj was playing the lament and funeral of hector from the iliad and everyone was beating their breasts and tearing open their garments. at the end we all built up a funeral pyre in the middle of the dance floor and set it aflame. we were all feeling the inherent human connection through millennia old poetry, it was wild

  • stovetop00

    image

    We’re winning.

  • lilnasxvevo

    I found his bio on societyofpresidentialdescendants.org and it was so delightful I had to copy paste the whole thing:

    “Ulysses Grant Dietz grew up in Syracuse, New York, where his Leave it to Beaver life was enlivened by his fascination with vampires, from Bela Lugosi to Barnabas Collins. He studied French at Yale (BA, 1977), and was trained to be a museum curator in the University of Delaware’s Winterthur Program in American Material Culture (MA, 1980). A decorative arts curator at the Newark Museum for thirty-seven years before he retired, Ulysses has never stopped writing for the sheer pleasure of it. Aside from books on Victorian furniture, art pottery, studio ceramics, jewelry, and the White House, Ulysses created the character of Desmond Beckwith in 1988 as his personal response to Anne Rice’s landmark novels. Alyson Books released his first novel, Desmond, in 1998. Vampire in Suburbia, the sequel, appeared in 2012. His most recent novel, Cliffhanger, was released by JMS Books in December 2020.


    “Ulysses lives in suburban New Jersey with his husband of 45 years. They have two grown children, adopted in 1996.


    “Ulysses is a great-great grandson of Ulysses S. Grant. His late mother, Julia, was the President’s last living great-grandchild; youngest daughter of Ulysses S. Grant III, and granddaughter of the president’s eldest son, Frederick. Every year on April 27 he gives a speech at Grant’s Tomb in New York City. He is also on the board of the U.S. Grant Presidential Library and Museum at Mississippi State University.”

  • sule-skerry

    And frankly, the novels sound like they slap:

    image

    Desmond was nominated for a Lambda Award.

  • doctorscienceknowsfandom

    “With his husband of 45 years.” You kids don’t know ... they got together before AIDS, at the peak of the Gay Glam Life. They stayed together as their generation died around them, and made through it to the point where they could marry and have a legal family. He looks like a chipper preppie who never had a serious thought or care in the world, but it took *incredible* determination, commitment, and also luck to get here.

  • trans-cuchulainn

    having now read the first of this man's vampire books, you can absolutely tell that he cares a lot about historical furniture because oh my god he really wanted to tell us about all the historical furniture in this vampire's house. material culture as foreplay. seduction via theses about chairs

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